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Stuart O'Brien

Last call for the Digital Signage & Interactive Solutions Summit

Time is running out to secure the remaining complimentary VIP delegate spaces and supplier stands at the Digital Signage & Interactive Solutions Summit.

It takes place on September 24th& 25that the Radisson Blu Hotel, London Stansted and is a highly-focused event that brings advertising, marketing and retail professionals together for one-to-one business meetings, interactive seminars and valuable networking opportunities.

Over two days delegates will meet with credible solution providers who will be able to talk through projects, concerns and obstacles, offering the best advice as well cost saving solutions.

To register your FREE place, click here.

Confirmed solution providers include Airwave Europe Ltd, Arcstream, Beaver Group, Cabletime Ltd, CSM Live, Eclipse Digital Media , Giant iTab, Jooku, LG Electronics, Linney Group Ltd, Lumino, MRG Systems Ltd, RMG Networks, Scala, SeloyLive, StockSigns, Trueform, Volume Networksand more. 

Confirmed delegates include representatives from Addison Lee, Amazon, Arcadia Group, Barnet College, Decathlon, Epson Europe, Fremantle, Harrods, Imperial Tobacco, Jabra, Ladbrokes Coral, Lidl, Manchester Airport, Ryman, Sainbury’s, Saracens, Sky, Starbucks Coffee, Transport for London, The Co-Op, Vision Express, World Duty Free and more.

Delegates will also learn about the latest digital signage trends in educational seminar sessions led by some of the industry’s leading lights, including a keynote from Tim Radley, MD at VM-Unleashed, on the role of digital signage in modern store design. Other sessions include:-

Digital Retail: The Bottom Line

Peter Critchley, Managing Director, Beaver Group

The Principles of Interactive and Immersive Technologies

Richard Padun, Managing Director, Interactive Media Group (TAS Arcstream AV)

Successful Procurement Engagement

Tony Morris, Procurement Consultant, Dataction

For more information about attending as a delegate, contact Fraser McClean on f.mcclean@forumevents.co.uk, or call 01992 376727.

Alternatively, to find out how to attend as a solution provider, contact Katie Bolden at k.bolden@forumevents.co.uk, or call 01992 374093.

These are Britain’s favourite brand logos

Britain’s favourite logo is Coca-Cola, with McDonald’s in second place and Disney’s Mickey mouse silhouette ranked third.

Coke’s iconic red and white symbol was first revealed in the late 1800s and has remained largely unchanged ever since.

It’s so popular the logo can commonly found on fashionable clothing items, homeware and other desirables – while vintage items featuring the logo can sell for thousands.

Commissioned by label makers Avery, the research of 2,000 UK adults found 62 per cent consider logos such as those belonging to Hard Rock Café and Ferrari to be ‘works of art’.

Fiona Mills, marketing director for Avery UK, said: “Last year we conducted research which highlighted the impact design and branding can have in terms of persuasiveness, consumer trust and consumer perception.

“The findings showed the results can be extremely powerful if you get the ingredients of label design spot on.

“These ingredients can include handwritten fonts, bold colours and shapes, emotion and use of heuristics – the brain’s mental decision-making shortcuts.”

Other logos in the top 10 include the emblems for Nike, Guinness and LEGO – along with those for Michelin and PG Tips.

Nostalgia appears to play a part with long established logos such as Fisher-Price, Oxo, Wall’s and Colman’s all featuring.

However relative newcomers such as Amazon, Google, Virgin and Starbucks made the top 40 too.

The research also found a product’s logo is so important it’s the first thing we notice about a product – ahead of the product’s name and even its colour.

Logos are also a key part of what makes a brand memorable – 46 per cent said they are the most enduring aspect of a brand.

A fifth are so loyal to particular brands they will specifically purchase branded products over non-branded counterparts – despite them often costing more.

But 33 per cent will only buy from brands they are familiar with – and for 53 per cent, familiarity makes them trust a brand more.

The poll also looked at the logos and brands we find most memorable from different decades – from the sixties through to the noughties.

And it emerged the eighties is the most popular era when it comes to logos, packaging and branding.

However 47 per cent think products and their packaging look better now than they ever have done before.

Branding belonging to Maxwell House, Nestle Milkybar and Kodak were found to be the most enduring of those from the sixties.

Old Spice, Fairy washing-up liquid and Wimpy were identified as the most recognisable from the seventies.

The most memorable ones from the eighties are Coca-Cola, Pepsi and Nesquik according to those polled.

And similarly the most unforgettable logos from the nineties belong to Adidas, Lynx and The Body Shop.

While Costa Coffee, Dove and Red Bull’s are the ones most associated with the noughties.

TOP 40 – MOST POPULAR LOGOS

1. Coca-Cola
2. McDonald’s
3. Mickey Mouse (Disney)
4. Cadbury
5. Apple
6. Nike
7. Guinness
8. LEGO
9. Michelin
10. PG Tips
11. Oxo
12. Mercedes-Benz
13. Google
14. Levi’s
15. Adidas
16. Pepsi
17. British Airways
18. Volkswagen
19. Shell
20. Amazon
21. Wall’s
22. Goodyear
23. Toblerone
24. Colman’s
25. Virgin
26. AA
27. BMW
28. Pringles
29. Walkers Crisps
30. Fisher-Price
31. Kodak
32. Land Rover
33. M&S
34. Ford
35. Starbucks
36. Burger King
37. Tesco
38. Hoover
39. IKEA
40. Argos

IAB launches blockchain pilot programme for digital ad standards

The IAB Technology Laboratory has unveiled its Blockchain Working Group’s pilot program to demonstrate the application and value of blockchain technology for digital advertising.

The initiative will provide a real-world mechanism for testing blockchain-based products and services, with a goal of applying learnings to develop an industry whitepaper outlining best practices and ultimately to develop standards to support the application of blockchain technology.

Several members of the IAB Tech Lab’s Blockchain Working Group are actively involved in the program, including FusionSeven, Kochava Labs, Lucidity, and MetaX. Each of their pilots will also include partners from across the supply chain, including advertisers, agencies, DSPs, exchanges/SSPs, publishers, and technology vendors.

For example, one pilot utilizss Lucidity’s ‘Layer 2’ infrastructure protocol to verify impressions and provide programmatic supply chain transparency through a neutral, decentralised shared ledger—capable of processing and verifying high volumes of data from multiple parties to reach consensus on the blockchain.

Lucidity’s initial pilot will be followed by a series of pilots including fee transparency, digital publisher signature, and audience verification.

In addition, MetaX launched its adChain Registry, a blockchain-driven list of brand-safe sites determined by token holders. FusionSeven and Kochava Labs will be sharing their pilot products at a later date.

“We’re dedicated to understanding advertisers’ and publishers’ needs and exploring emerging and established technologies that can solve real problems in digital advertising – in support of a clean, scalable, and efficient ecosystem,” said Dennis Buchheim, Senior Vice President and General Manager, IAB Tech Lab. “The Blockchain Working Group, which has over 150 member companies, is at the forefront of exploring industry standards and use cases for blockchain in digital advertising, and we’re looking forward to even more forward-thinking brands and key players joining the conversation.”

“There has been a lot of hype about blockchain, but no industry-backed, practical validation of its value for digital advertising—until now,” said Sam Kim, CEO, Lucidity. “It is vital that we begin testing and utilizing blockchain technology to address major pain points in programmatic from data discrepancies to supply chain transparency. We are excited to work with the IAB Tech Lab and other members to uncover insights and learnings that can drive the entire industry forward.”

To learn more about the IAB Tech Lab Blockchain Working Group, go to www.iabtechlab.com/blockchain-working-group.

Love Island 2018 – Influencer Power List revealed

Dani & Jack were the winning couple on last night’s Love Island 2018 finale, but they weren’t the only winners to emerge from this summer’s reality show saga – plenty of their housemates now have careers as celebrity influencers waiting for them.

Reports are already suggesting that the Islanders are on course to cash in £millions thanks to public appearances and social media campaigns, and even the those who left the villa early will have the opportunity to make the most of their new celebrity status.

Indeed, according to new data from Filter Digital, ‘love rat’ Adam Collard ranks ahead of finalists Megan Barton Hanson and Wes Nelson, as well as ahead of Dr Alex George, when it comes to their fan following across social media channels.

Unsurprisingly, Love Island 2018 winners Dani Dyer and Jack Fincham top the list of Islander Influencers, but their combined followers still fall short of Love Island host Caroline Flack.

Georgia ‘Little G’ Steel comes up close behind Jack Fincham. Kendall Rae-Knight, who was the first to be dumped from the Island, surprisingly scores highly – ahead of finalists Laura Anderson, Josh Denzel and Kazimir Crossley, who all failed to make the Top 10.

Overall Love Island 2018 Influencer Power List (Top 10)

  1. Caroline Flack – 3.7m Fans
  2. Dani Dyer – 1.9m Fans
  3. Jack Fincham – 1.4m Fans
  4. Georgia Steel – 1.3m Fans
  5. Adam Collard – 0.97m Fans
  6. Alex George – 0.94m Fans
  7. Samira Mighty – 0.85m Fans
  8. Megan Barton Hanson – 0.85m Fans
  9. Wes Nelson – 0.84m Fans
  10. Kendall Rae-Knight – 0.81m Fans

To see the full Love Island 2018 Influencer Power List with all contestants, go to: https://sportstarinfluencer.com/journal/fun/love-island-2018-powerlist

Filter Digital crunched the numbers through its Sportstar Influencer platform, which usually evaluates marketing value of sports players and teams through a combination of social following, engagement metrics and team performance.

The platform uses social, engagement, media, and sentiment datapoints to rate and rank sports players against each other, comparing them at a local, national and international level.

“The Love Island contestants have been making new media careers for themselves while sunbathing and dealing with the intricacies of love and the heart,” said Oliver Morrison, CEO at Filter Digital. “By better understanding how the contestants rank against one another across social media, brands can take better decisions over where they spend their budgets.”

Google top again in YouGov’s global brand health rankings

Google tops YouGov BrandIndex’s annual global brand health rankings. In a list dominated by digital brands, the search giant stays ahead of sister company YouTube.

The ranking is based on over six million interviews over the 12 months to the end of June. It shows Samsung jumps one place from last year, climbing to third position as does messenger service WhatsApp, which rises to fourth. WhatsApp’s parent company, Facebook, falls two places to fifth.

There are three new entries in the top ten. While Amazon remains sixth on the list, IKEA enters the rankings at number seven. Colgate falls one position to eighth, while clothes brand Uniqlo makes the top ten for the first time in ninth place, while toy manufacturer Lego is another new entry at ten.

The rankings are based on YouGov BrandIndex data from across the world. BrandIndex operates in 37 countries across the globe, covering markets in North America, South America, Europe, Africa, Asia and Australasia.

For the list YouGov used data from 26 countries – data from markets that cover three sectors or fewer were not counted in the global top ten. The rankings use the Index score which assesses overall brand health. It takes into account perceptions of a brand’s quality, value, impression, satisfaction, reputation and whether consumers would recommend the brand to others.

Digital brands dominate this global ranking and with good reason. By their very nature the likes of Google, YouTube and WhatsApp are available in most places on earth to anyone with internet access. However, while many of the top five have only been around for the last decade or two, classic brands that have been around a good while longer also make the list. IKEA, Colgate, Uniqlo, and Lego, all still connect with the public and as a result have very positive brand health.

UK brand health rankings

YouGov has also released its UK brand health rankings. The list is characterised by the presence of brands that have been in the public consciousness for a long time. Traditional high-street favourites John Lewis and Marks & Spencer are first and third respectively while BBC-related brands – iPlayer and BBC One – are in second and ninth positions. Meanwhile Heinz makes an appearance in fourth place.

The rankings are drawn from over 1.46 million interviews in Britain conducted between July 2017 and June 2018. Each day consumers are asked their view on 1,384 brands in the UK, which allows YouGov to build a picture of how different brands are perceived by the general public, their own consumers, people considering using them, and their competitors’ customers.

YouGov’s analysis shows there are two new entrants in this year’s top ten – IKEA in fifth and Cathedral City in eighth. Ikea had a particular strong campaign in 2017, which featured its ‘Lion Man’ character. Sony is the most notable absentee from the rankings, having been in third place this time last year

Two brands from the global rankings are also in the UK list, with Samsung in sixth and Amazon in seventh. Pharmacy chain Boots rounds off the top ten.

Over the past year the retail sector has struggled to combat problems arising from ferocious online competition and increased business costs. However, in the face of this, the public clearly retains an affection for traditional high street brands with long and rich histories, such as John Lewis and Marks and Spencer. Similarly, while the BBC has faced challenging headlines over the past 12 month. But the public clearly still rates what the corporation offers and iPlayer and BBC One continue to be in strong brand health.

Most improved brand health

YouGov’s annual analysis also where the biggest increases in brand health have come in the past year. For several brands, escaping negative press coverage has seen an improvement in their scores, although many of them still remain in negative territory.

For example, Sports Direct, the most improved brand this year, has seen its score improve by +6.2 points, moving from -12.4 to -6.2. While in past years it has often garnered negative press, it has enjoyed a period out of the headlines and its Index score has now returned to mid-2016 levels.

Similarly, Southern Trains – for a long time blighted by strikes, cancellations, and ensuing adverse media coverage – has seen its score change from -16.1 last year to -11.3 now, an improvement of +4.8 points.

Value fashion chain Primark has made a notable leap in the past year – going from having negative brand health to positive. Its Index score improved from -0.9 to +2.7 in the last 12 months, an improvement of +3.6.

Elsewhere, Netflix continues to advance, with its score improving by +5.9 points (going from 19.5 to 25.4). Tech firm WhatsApp has seen its score increase by +3.5 – up from 18.9 to 22.4.

Print & Digital Innovations Summit: Don’t miss out on your FREE place!

There are only a limited number of places left at the Print & Digital Innovations Summit, which takes place this November in London – Make sure you register today!

As one of 60 VIP guests, you will be provided with a bespoke itinerary of face-to-face meetings with suppliers based on mutual interest. No hard sell, and no time wasted.

In addition:

· You’ll have the opportunity to attend insightful seminars and interactive workshops.
· You’ll be able to network with senior print and marketing professionals who share your challenges.
· You’ll enjoy full hospitality throughout, including lunch and refreshments

Taking place November 22nd at the Hilton London, Canary Wharf, the Print & Digital Innovations Summit provides a platform for new business connections – Register Today!

To secure a complimentary delegate place, call Emily Gallagher on 01992 374084 or email e.gallagher@forumevents.co.uk.

To attend as a supplier, call Sam Walker on 01992 374054 or email s.walker@forumevents.co.uk.

For more information, visit www.printinnovationssummit.co.uk.

Digital Signage & Interactive Solutions Summit – 10 VIP passes left!

We have just 10 FREE VIP passes left for this autumn’s Digital Signage & Interactive Solutions Summit.

It takes place on September 24th& 25that the Radisson Blu Hotel, London Stansted and will provide you with a unique opportunity to meet face-to-face with solution providers who match your requirements.

To register your FREE place, click here.

In addition, a series of educational seminars will take place throughout the event, with topics including:

Digital Signage and its role in today’s store design, customer experience and the wider digital retail world

Digital signage must be justified not only through creating attractive and dynamic brand environments, but also through commercial shopper interaction, store engagement, increased product sales and beneficial customer analytics.

Presented by: Tim Radley, MD, VM-Unleashed

Digital Retail: The Bottom Line

How do you drive the real value of your digital retail implementation, and how do you blend value to the business and value to the customer? This session will frame the opportunities presented by technology for digital signage, interactivity and mobile apps and provide real insight into the importance and opportunities of the digital landscape.

Presented by: Peter Critchley, Managing Director, Beaver Group

From Static To Digital

Transferring from static signage to dynamic digital signage is the go-to solution for retailers and typically any organisation looking to communicate a message. However, Interactive and Immersive technologies (VR/AR/MR) provide users with an experience which is intended to go above and beyond expectations and firmly delivers a message which hopefully will not be forgotten.

Presented by: Richard Padun, Managing Director, Interactive Media Group (TAS Arcstream AV)

Procurement Engagement

When the business needs to buy, the procurement function can either frustrate or facilitate the business purchase process. We will explore how the procurement process should be done to facilitate the business outcomes.

Presented by: Tony Morris, Procurement Consultant, Dataction

All hospitality – including all meals and refreshments, overnight accommodation and an invitation to our gala dinner – is included.

To register your FREE place, click here.

For more information about attending as a delegate, contact Fraser McClean on f.mcclean@forumevents.co.uk, or call 01992 376727.

Alternatively, to find out how to attend as a solution provider, contact Katie Bolden at k.bolden@forumevents.co.uk, or call 01992 374093.

For more information, visit www.forumevents.co.uk/events/digital-signage-interactive-solutions-summit.

Online video viewing to exceed an hour a day this year

The average person will be spending 84 minutes a day watching videos online by 2020, according to the latest forecasts from Zenith.

In that year, China will have the keenest viewers, with the average person spending 105 minutes a day watching online video, followed by Russia (102 minutes) and the UK (101 minutes).

Zenith says this rapid rise in consumption is leading to a significant shift in the way brands plan campaigns across both television and online video.

The research covers 59 markets and encompasses all video content viewed over an internet connection, including broadcaster-owned platforms such as Hulu, ‘over-the-top’ subscription services like Netflix, video-sharing sites, e.g. YouTube, and videos viewed on social media.

Global online video consumption grew by 11 minutes a day in 2017, and we expect it to grow by an average of 9 minutes a day each year to 2020.

It accounts for almost all the growth in total internet use, and is growing faster than media consumption overall, so it is taking consumption time from traditional media.

Although some of this extra viewing is going to non-commercial platforms such as Amazon Prime and Netflix, Zenith says plenty of it is going to commercial platforms, so the supply of commercial audiences is rising rapidly.

In fact, the firm estimates that online video adspend grew 20% in 2017, to reach $27bn. Growth peaked at 36% in 2014 and has fallen steadily since then, but still remains high. It forecasts 19% growth in 2018, and an average of 17% annual growth to 2020, when online video adspend will reach $43bn.

Video’s share of online display advertising is rising steadily: it accounted for 27% of display adspend in 2017, and Zenith expects it to account for 30% in 2020.

Online video advertising is still only a fraction of the size of television advertising, but because television is stuck at 0% to 2% annual growth, this fraction is rising rapidly. The online video ad market was 10% of the size of the television ad market in 2015, and 14% in 2017. By 2020 Zenith expects online video adspend to be 23% of the size of television adspend.

“Online video is driving growth in global media consumption, as smartphones with high-speed data connections make high-quality video available to people on the move, and smart TV sets give viewers unparalleled choice in the living room,” said Jonathan Barnard, Zenith’s Head of Forecasting and Director of Global Intelligence. “The rapid rise in video viewing makes online video the world fastest-growing advertising format, creating new strategic and creative opportunities. Brands that do not currently have a strategy for online video need to think about getting one.”

TfL launches campaign to encourage gender diversity in advertising

Transport for London (TfL) is running a competition with the Mayor of London to improve gender diversity in advertising.

The Women We See: diversity in advertising competition is aimed at creative agencies and brands and the winner will see their campaign appear across the TfL network from January 2019.

TfL says it’s running the competition because, while London is one of the most diverse cities in the world, when it comes to representing that diversity the advertising industry hasn’t always got it right – namely through the kind of advertising that can be seen on trains, Tubes and buses.

Women We See is also part of the Mayor of London’s commitment to tackling gender inequality and his #BehindEveryGreatCity campaign.

TfL says it wants to see a creative concept that represents older women, BAME women, women with disabilities – be they visible or not – single parents, women from diverse socioeconomic backgrounds and women from the LGBT community. And that means challenging time-worn stereotypes.

The creative for the campaign must also respond to the key themes of the Women We See research.

Entry is open to media, advertising and creative agencies; as well as brand marketing teams, with the winning campaign receiving £500,000 of digital advertising value.

The winning entry will also be displayed across the TfL Rail and Bus Shelter networks during the first quarter of 2019.

For more info on how to enter, click here.

RECOMMENDED: Brand Monitoring – BlueFrog Media

As part of our series looking at Brand Monitoring services, BlueFrog Media outlines what it has to offer…

At BlueFrog we know it’s key to engage with and build a brands customer, turning them into loyal fans through live brand experience.

We do the hard bit, the bit that social algorithms thrive off… talk! With an interaction service 9am-9pm, 7 days a week, 365 days a year, we are always on hand to have meaningful conversations with your fans.

Key to the BlueFrog service is working with brands to improve community management and maximise on engagement opportunities. We interact on behalf of your brand on all the well-known social platforms, taking care of your social customer service, general enquiries, bookings and complaint handling. That includes converting positivity on social to great reviews on other platforms and responding to positive and negative reviews across Facebook, TripAdvisor and Google My Business to improve rankings and keep excellent customer service across the brand.

The BlueFrog team use genuine human interactions to build on page engagement. All interactions are managed as per a client guide and agreed do’s and dont’s and the team are trained to know your business and tone of voice inside out. We faithfully represent your brand, whether that be through community and reputation management or creating content to support their social strategy and campaigns.

Alongside community management, we social listen for brands across Twitter. We are able to jump on any conversations or brand mentions and either aid a brand query or share the brand love. Social listening provides not only great customer service but an opportunity to engage with new customers and provide great insight about your audience.

Our aim is always to encourage engagement and increase ROI for you, and we will tailor the conversations we have with your customers to meet any company-specific goals.

Get in touch if you would like to know more about how BlueFrog can help you.

www.bluefrogmedia.co.uk